Terminology & Glossary
Your guide to understanding Kibbe style terminology. Master these concepts to unlock your personal style journey.
Core Concepts
Style
Personal Art. A visual language to express your entire being.
Image Identity
Your sculpture - complementary outlines combining Yin/Yang Balance and Personal Line.
Season
Your painting - harmonious colors that complement your natural coloring.
Personal Line
The relationship between your body and complementary silhouette.
Yin/Yang Balance
Contrasting opposites in nature that inform your overall aesthetic.
Personal Line Elements
Style Philosophy
Love-Based Beauty
Philosophy emphasizing self-acceptance and enhancing natural beauty.
DIY Method
A guided journey of personal discovery through exercises and games.
Intelligent Subjectivity
Using personal experiences to inform style development.
Enlightened Subjectivity
The "AHA!" moment of true style empowerment.
Color Terms
Image Identity Families
The modern system refers to Kibbe Types as Image Identities. Each family shares core characteristics.
Discover Your Kibbe Identity
The photo analysis uses the sketching method to identify your type automatically.
Discover Your Kibbe Image Identity
The photo analysis uses the sketching method to identify your type automatically.
Photo Analysis


The AI creates a 3D mesh of your body for precise measurements, then sketches your silhouette shape overtop to define your type. You can optionally receive your mesh and sketch with your results.
Take the Quiz
Results
Flamboyant Natural

Description
Flamboyant Naturals have a tall, broad look with relaxed, strong features. There's a natural strength and openness in this frame.
Nickname
"The Nonchalant Showstopper"
Yin-Yang

Personal Line
Characteristics
- Usually 5'6" and over
- Broad and strong frame
- Relaxed, defined structure
- Wide shoulders
- Subtle curves
Physical Features of a Flamboyant Natural
Broad, blunt bone structure with wide shoulders and muscular build. Long limbs with athletic frame and natural width through upper body. Strong facial features with broad jawline, large nose, and wide-set eyes.
These physical descriptions are from David Kibbe's original book "Metamorphosis" (1987). His methodology has evolved significantly since then—in his 2025 book "The Power of Style," he explicitly states "NO BODY PARTS" and emphasizes discovering your Image Identity through Personal Line sketching (how fabric drapes on your body) rather than matching individual features. These descriptions are provided as historical reference, not a checklist for self-typing.

Strong Broad Shoulders

Long Broad Limbs

Tapered Wide Hips

Broad Muscular Shape
The traditional approach to Kibbe typing. Answer questions about your bone structure, body flesh, and facial features. Still accurate, just not the modern visual method.
Frequently Asked Questions
The modern Kibbe system recognizes 10 types (the 3 "pure" balanced types have been discontinued). Here is each type with its height limit, dominant/additional elements, and yin/yang balance:
| Type | Height | Dominant | Additional | Yin/Yang |
|---|---|---|---|---|
| Dramatic | Any height | Vertical | Narrow | Yang |
| Soft Dramatic | Any height | Vertical | Curve | Yang |
| Flamboyant Natural | Any height | Vertical | Width | Yang |
| Soft Natural | Under 5'6" | Curve | Width | Yang |
| Dramatic Classic | Under 5'6" | Vertical | Balance | Yang |
| Soft Classic | Under 5'6" | Curve | Balance | Yin |
| Flamboyant Gamine | Under 5'5" | Vertical | Petite | Yin |
| Soft Gamine | Under 5'5" | Curve | Petite | Yin |
| Theatrical Romantic | Under 5'6" | Curve | Narrow | Yin |
| Romantic | Under 5'6" | Curve | Double Curve | Yin |
Note: Yang types have more sharp/angular qualities, while Yin types have more soft/rounded qualities.
Height plays a crucial role in determining your Kibbe type. At 5'6" and over, you automatically have Vertical as your dominant. All Curve dominant types must be under 5'6".
| Type | Height | Dominant | Additional |
|---|---|---|---|
| Dramatic | Any height | Vertical | Narrow |
| Soft Dramatic | Any height | Vertical | Curve |
| Flamboyant Natural | Any height | Vertical | Width |
| Dramatic Classic | Under 5'6" | Vertical | Balance |
| Flamboyant Gamine | Under 5'5" | Vertical | Petite |
| Romantic | Under 5'6" | Curve | Double Curve |
| Theatrical Romantic | Under 5'6" | Curve | Narrow |
| Soft Natural | Under 5'6" | Curve | Width |
| Soft Classic | Under 5'6" | Curve | Balance |
| Soft Gamine | Under 5'5" | Curve | Petite |
Note: It's possible to be under 5'6" and still have Vertical as your dominant. Both Gamine types (with Petite) must be under 5'5".
Each Kibbe type tends to gain and distribute weight differently based on their Yin/Yang balance. Understanding your type's weight pattern can help with realistic expectations and dressing strategies.
| Type | Weight Gain Pattern |
|---|---|
| Dramatic | Hips and upper thighs only; NOT upper torso. Body shape remains straight (not curvy). |
| Soft Dramatic | All over the fleshiest parts: bust, hips, waist, thighs, upper arms, and especially the face. |
| Flamboyant Natural | Becomes square and stocky; face becomes fleshy and puffy. Extreme excess weight collects primarily from waist down. |
| Soft Natural | Extremely soft and fleshy; waist thickens first. Upper arms, thighs, and hips collect excess weight most rapidly. |
| Dramatic Classic | Excess weight shows up right away and collects from the waist down. Hips and thighs gain; rarely around bustline. Becomes more pear-shaped. |
| Soft Classic | Body becomes very soft; facial features become very fleshy. "Thickish" look; waist is first to lose definition. |
| Flamboyant Gamine | Becomes stocky and square. Excess weight from waist down, rarely above. Arms, legs, waist, and hip area become thick. Face may become puffy and fleshy. |
| Soft Gamine | Very rounded; weight collects mainly in bust and hip areas. Arms and thighs get soft; face becomes quite fleshy. |
| Theatrical Romantic | Figure remains hourglass with defined waist. Upper arms, thighs, and face become quite fleshy. |
| Romantic | Body only gets more rounded overall; face gets very full. |
Source: David Kibbe's Metamorphosis (1987)











